Aya Sekine Journal 2014 – New Year Special : Part 2 – Aya Interviews Andrew

This is a sequel to my post earlier.

I am very happy to be hosting a counter-interview project brought to me by guitarist Andrew Lim who resides in New York for last 3 years.

Read Vol.1 here → ★ 

andrewlimblog

Andrew’s photo by Andy Yang, Aya’s photo by Dju-Lien Chan (Primary Studio)

How it started. 

It was a pleasant surprise and honour for such an independent thinker to interview me about life and music – although we’ve known each other for years and both strived as Jazz musicians in the same music scene, we both have different upbringings and characters.  Since he has brought up this project of interviewing me, I’ve also decided to interview him and see what we get out of it – and maybe it would be a great thing to share what we feel about music and life with all.  Thank you Andrew for wanting to know – because I believe in talking about things, especially about how I feel about things.  Here is the counter Interview project, part 2.

ANDREW LIM + AYA SEKINE - TALKING ABOUT IT

PART 2 – Aya interviews Andrew 

What seems to enhance your music/practicing/writing? 


(I actually meant to ask them all in one shot, but Andrew has given me individual answers and they were interesting, so there.)

In music : When you say music I’m assuming you’re talking about the performance aspect? The things that I noticed have helped  get me to be in the zone are things like making sure I practiced the physical aspect on my instrument really slowly and with intent and not leaving out all the core physicalities that go into producing a good sound on it. also I’ve found that is only half the picture, the other half is when I spent some time activating my aural faculties and making that connection with the instrument. I.e making sure I’m playing what I hear. in order to do that, i just sing melodies in my head and strive to play exactly that with no fluff.

In practicing : Being in a space where I’m not distracted and also filled with love. sometimes its hard so I’ll go listen to some music instead… does the trick always. what also helps,personally, is to have a clear intent on a really small amount of information and focusing on that. and then practicing the exact opposite after that.

In writing : playing the piano really helps the writing bit. I’ll find myself thinking a lot more about pure ideas. it’s also helpful in the way the instrument is so orchestral. something i have less access to on the guitar.

What seems to bring you down, which brings your productivity in practicing/playing/writing etc?

In music/performance : when I’m in an uncomfortable mental space. so many things cause it and I’m trying to work each aspect so they don’t bug me anymore. some sources of discomfort, when there is not enough mastery of the harmonic, melodic and rhythmic elements at hand. I know it sounds obvious but its the shaky foundation that leads to all kinds of worries and doubt.  Also whenever I ignore the concept of balance in my practice routine..it’ll show up in the playing.

In practicing :  the biggest impediment I’ve found is when I’m trying too fast to “get somewhere”. I’ve found over the years that anything you can’t do is made up of a multitude of little problems that you have to solve first. I get in trouble when I forget, or, fail to see the smaller issues that I need to work on first.

In writing : a judgemental mind? also, for every idea that doesn’t work, it’s only one tweak away to make it happen. I’ve learnt not to throw anything away…but rather just think of one small modification at a time.

Andrew with Chok Kerong and Soh Wen Ming “A Sleepin’ Bee”

What was the most inspiring thing that happened to you(since moving to New York)? 

I don’t know if I can pare it down to any one experience. So many things have affected me here, the different pockets of musicians here, all intensely connected to what they chose to do, and as hard as life is here for a musician, everyone is kept afloat by their belief and the scene is inspiring that way.  I’ve never met so many people so committed to their vision that has nothing to do with the marketplace before. Also playing gigs then realising you have Barry Harris, Jimmy Heath, Lou Donaldson, Harold Mabern, Russell Malone, Danilo Perez, Peter Bernstein right in front of you in pretty horrifying LOL.  Some of them tell me nice things when I played well and some keep quiet coz I was BS-ing.  But its inspiring coz you get an instant indicator… you know you need to hold yourself to a higher standard very quickly and edit out all the fluff if you are serious about this music.

What was the most discouraging thing?

When I’m making music with musicians who don’t care.

What is Jazz to you? Why are you playing Jazz?

I used to think about that all the time but don’t do it  anymore. I just let it be what it wants to be in my life. when I started, it was just because  the music sounded great and it was fun playing something that kinda sounded like it.  Over time, as I got more into it, it just felt like I was exposed to so much truth within it that I couldn’t look at life in the same way anymore.  It’s become a mediation, a means to chip away at who I am, a gift to people willing to listen…I’m still finding out as of now.

“It Don’t Mean A Thing If It Ain’t Got That Swing” we all know this infamous Duke Ellington tune and we both love to swing as well.

What do you think is most important thing to be a Jazz musician/Jazz practitioner BESIDES ‘swing’?

To be in LOVE and to be in SERVICE to others.  I started out only taking from and as I grew, I realised the importance of giving more and more. I’m not talking about just material giving here, but a giving of honesty, of spirit, of care.  These things are what makes an artist.  First we see, then we have to give of ourselves.

That..to me..has the most direct effect on the music.

If you never learn the melody/changes, how to deal with harmony, etc….and love people….you’ll always be a taker.  You can’t give something you don’t have.

Do you think it’s possible for Singapore to have bigger Jazz scene? 

I don’t know about that.  If you lived truthfully and try to set an example, hopefully people can start to discern for themselves what’s up? I know what I’m striving to be and that’s only because of the many angels I’ve had who were there to show me some aspect of the truth, whether I was ready for it at that time or not.  I’m hopeful …. hope is really all we got isn’t it?

Singapore may not have the big Jazz scene. What would you tell young Singaporean Jazz enthusiasts, to encourage them?

You better you listen, the more you learn.  Learn to love more than yourself. That’s all I have to say…am working on all these same things…. see you at the end folks.

(Interview completed December 31st, 2013)

 

My after thought :

We both enjoyed answering eachothers questions.  It is really good to know what we think are important – there are some similarity in our answers from different questions.  We are excited about this small interview sessions, and may continue in the near future.  I think next time will be a discussion, as this time it was more answering individually.

What I’ve noticed is that both of us are a big fan of  ’acknowledging our levels’.  I also firmly believe reality is where everything starts.  Previously when we were talking about music, Andrew said ‘only way to grow is some discomfort’ which I couldn’t agree more, as I embarrass myself daily in school now (with or without people around), and this is how I’m learning with such strong conviction.  I know my weaknesses and I find them daily.  This is the best I felt in a long long time.   We could talk for hours about how embarrassed we are at times finding our weaknesses, but finding things to practice is fun.  Also we both are letting music lead our ways, not trying to make our ways.  Anyway I think it is great to share these type of thoughts.  It’s a blessing to have a friend who you can talk to about music so deeply.

In any case, I have played with Andrew countless time in the past, and I am really looking forward to play with him again – maybe in New York, maybe back here in Singapore! We will find out.

Thank you all for reading.

My little plan for Little India

So few minuites ago a thought popped in my head. So I shared on my page on Facebook.
It started like this :

“Why not ban the cars on Sundays, and let the boys have fun? Dance on the street to their music… It will be very good business for Little India, and maybe some become much happier and definitely no bus accident. Tourist may come and see great Sunday festival and maybe boys get creative. Just a thought. Banning alcohol in their area, will only create another area for them methinks.”

and then I went into ‘zone’ … I continue here. Aya’s fantasy!

It would be great to have Sunday Festival of Indians and Bhangras so they can sweat themselves away with music, food and dancing on the streets. Maybe once a month, if not every Sundays. It will be exciting for them to look forward to, maybe think about what to wear, or what to eat…even just to talk about going there!
Some of the restaurants can come to the street and sell snacks and drinks… they might wanna have special deals and start competing! Shops can open a little late for extra business. Maybe Sunday night time sale on golds (@_@)! Maybe after a while it may become so fun and attractive, people are getting excited. Feeling of new possibilities…some boys may even want to do something for the festival! But they need to make sure they don’t fantasize while they are at the site! Avoid the occupational hazard… I would be dead on the ground thinking about what to do for the festival.

Their hidden creative mind may awaken and burst into something different than they ever thought. May not burst out, but at least look forward to something. I personally want to see a live Bhangra music, with lots of percussions so they (and myself) can dance.
Even the Singaporean Indians/Bhangra can have fun in this Singapore’s original Indian/Bhangra excitement in Little India… I am now hungry writing this and about to shake it.

My fantasy continues.

The people in their own countries hear about this new Sunday festival in Little India, and may want to start some business there…well, this can bring up whole other subjects/issues, but still, people will get excited and creative – that’s always good for culture and business, fool everyone out of stress and anger.

The restaurants are now getting more business.
They start to improve their shops a little. Fix shit up etc.

No cars on the street, so bit messy, but it’s Singapore, so things will always get cleaned up by Monday 2am, because the festival finishes at midnight (or something). Boys go home sleep for their new week. Completely knocked out from the hang.

There maybe fights and frictions during the Sunday festival because they let loose, but it’s among themselves, or with curious tourist, pedestrians or spectator etc. But most importantly, it will happen all during ‘fun’ they are letting it loose and risk for anger or accident is less. What I (Aya) is saying is, let’s make it official here! Close the road.

People will not go there if they are worried, but the boys still need place to hang and have fun. Take a break, have fun and forget daily life is so important.  Even during my composition or practicing, I finally learned to take a shot of break here’n there - even when deadline is coming, I purposely stop and do something else. It works. I get freshen up by being side tracked. Snacking is helping (big issue is about to burst after consecutive snacking).

This is all my fantasy. But I’m just saying it pure sad to have Little India lose element, leaving bitterness behind. Little India is my favorite part of town, where I never fail to enjoy it even for a small thosai or Mustafa hang alone after practicing. I don’t drink there, but banning alcohol may create unnecessary frictions there, and other places. If that’s the case, hey why not leave it where it is, let shit happen and let things deal with it, so at least it’s in one place.

It is my personal *mental* journey based on alcohol ban news in Little India in my head that I’m sharing. No credibility or reliability whatsoever.
Thank you for reading my little story!
Have a great weekend.

A week of great concerts.

I am in the middle of semester final at the moment.  I have finished one of the biggest exam past Monday, left with one recital to end the semester.  I have worked frantically last few weeks, so I am giving myself a breather, and went to see some performances…let me share a few.

 ★

The other night I went to listen to my composition professor John Sharpley’s concert at the Artshouse.

It blew my mind.  To hear his compositions that was directly inspired by Khalil Gibran’s The Prophet – I knew about this infamous novel, but I have not read it and as he shared bits prior to his performance, I was already very moved by the words (now I’m going to get this book!!) and he sat down to play.  I really don’t know how to explain, but because I have his lesson every week and hear him talk about music, life, and everything and as he calls music as ‘biological (and also he refers it as quantum physics at times)’, and to hear his music being exactly so fresh, raw and yet so thought out and complex… a depth stroke me every single note he played.  He has invited vocalist Reuben Lai (tenor) to sing the songs and not only I enjoyed the music throughly, I was touched and my senses were stimulated. I am so inspired to know more about the music, and feel extremely fortunate to have a mentor who constantly pushes my boundary and to make me question where my music is, without fail.  He has shown it to me just like that.  Truly a platinum level artistry, which is not easy to find these days, especially around where I am.

 ★

Right after this concert, I headed over to see one of my favourite young bassist around the globe, Tim De Cotta who is also my band mate of L.A.B. (Listen And Believe).  This super talented cat, he has just launched his single ‘RIO’ (which I have also played with him before) and he is in the middle of a launch celebration tour ‘The Warrior’s Hall‘ in Singapore with some of his favourite bands around.

tim

First of all, here is the song. Simple song but throws me into unlimited imagination : https://soundcloud.com/timdecotta/rio

I am always so amazed by how talented he is, and I rely on his talent a lot.  The joy of playing music with someone who can hear what I can hear, and have another angle to it… it’s a blissful feeling. Though we make music together in the same band, it was my first time to see his concert with all his own material.  He is also a talented vocalist (he sings harmonies with Michaela in L.A.B.) and one of the most grooving bass player, and has big big ears to hear ‘music’.  You might think ‘oh, sure we all hear music’… not really.  Amongst so many musicians I know and I’ve played, some people only hear music as notes and sounds. That is ok too (you will not believe, some don’t even hear other people’s notes) but when making music, we need to have ability to hear the whole thing, or should I say ‘where it may go to’.  I’m now talking not just about Timmy, but here is how I felt after 2 shows I experienced that night.  Again quoting John Sharpley : ‘music is biological’ – there is no better way of saying it. Music is alive, and we musicians must know it….

If we keep listening to what’s happening at the moment, the music will stop right there(well, sometimes you don’t even hear ‘what’s happening at the moment’, sigh…). We musicians, especially when we are involved in improvisational or soul music (Jazz, blues, tribal, and if you are a composer), we are driven by music.  I don’t believe we are the original creator, for thousands of years the music has been composed, played and sang.  Every possible thing we hear has been done.  So… the originality of what we have is, that we living in ‘now’, we are vessels to be filled up and music goes through us we need to catch.  We are processors, who create from what we hear.  That means you need to be open and be lean enough to catch what goes through us. I think this is the most important but tough part.

I think we can all play with our egos, but then still, in order for music to sound how it sounds, you need to accept and open to egos, which eventually means ‘no ego’!

This year I’m a student at a college again. This doesn’t only means I’m a college student, but I’m back to square one. I’m so happy to let go my recent experience of being a professional musician, though I still am an adult and at times need to have certain responsibility to play music, but I’m now back to ‘not ready’. This ‘not ready’ part of me is working hard to refine the art from taking few step back… I’m still struggling to play purely from the heart due to too much experience of performing in so many situations, but it’s getting better.  Because I cut down performances, I can finally see my habits and tendencies… when in the practice room, I feel my habits and it’s sometimes painful and I go into dilemma and even small depressions, but I take them all as blessings. I do criticise myself a lot, but I also have an ambition to make true music for me, so it is a worthwhile pain!

Getting a little too philosophical in this anatomy, but I really enjoyed both concerts that night of pure original music. Extremely different, but the common part is me, who knows both :)  I’m the lucky one.  My life is happening like this.

 

This is Timmy and I from one of our gigs last year.  We are playing tonight at Blu Jaz Cafe as L.A.B.!

Hope to see you all there!

From one of our performances last year :) He is the younger brother I don't have!

From one of our performances last year :) He is the younger brother I don’t have!

 

P.S.  I am jamming/rehearsing with my new project with Angie Seah and Ian Woo. This is completely experimental and improvisational one. Hope to let you know soon when our performance will be :)

 

The Night Festival is over! Thanking everyone.

Hello everyone, good morning!

The Night Festival has ended.

The Night Festival

I’ve had wonderful sleep and I really needed it!!!  Last night at the end of the night, I was literally falling apart decomposing…. etc. Haha!

Normally I get so hyper 30min before, during the show(some of my friends imitated me – yes. Too much energy coming out of me!) and about an hour after I’m still hyper like a little kid, and it starts to drag me down to my actual state, which was far beyond exhaustion this time. I’m so lucky I didn’t get sick this whole week! Successfully carried out my mission! And I’m very happy that our set went so well at The Night Festival, both night… let me officially do this :

Thank you DJ KoFlow, for inviting me once again for your grand ‘In The Groove Project’ – I respect and love your everlasting curiosity, intuition and inspired soul to make music. Guys, he is not only a DJ. Please understand. He is a music maker and a true artist (and he also knows the dark side of music industry, believe me) and I’m always up for collaboration. I really need this DJ in my life for my music!

Rehearsal

We have done numerous projects over the years and this time, actually everytime it has never been easy or smooth, we always have discussions, meetings, rehearsals and talks and messaging about our projects.  Countless communications until the show, but we always have fun and make it ’til the end! Thank you for counting me as one of your collaborators, it is a pleasure to work with you, KoFlow!

We were a wonderful ass-kicking band this time – the usual suspect for Ayaschool as well. We were reunited – Richard Jackson(vocal), Casey Subramaniam(bass/vocal), Mohammed Noor(drums/percussion).  Absolutely stellar & strong ensemble to make music with. Familiar faces but we always push the edge.  These are my real brothers of music, and we are a great team.  We spent so many hours making this show into a successful fun time!  Thank you for your professionalisms and I’m glad we could work together after so many months of not even seeing each other!  How much fun did we have 5 of us, even just to hang out before/after the show ?!!! :)

I’d like to also thank all the people who came out – everyone in the audience took part, waved hands, shook your bodies and screamed and danced with us! On stage we have great time too, but when we see you happy, it is a pure joy and feels so wonderful.  It’s a group effort to have a good time.  Hope we made it easy for you!

Not to forget, thanks to the sound crew, festival crew and other musicians/bands on both nights!  It was lovely to catch up with old musician friends, met some new fresh faces, and listen to all the bands. I admit I was on the edge due to overwhelming lack of rest due to multi-tasking whole week, but again, it was so worth it and I’m so relief I didn’t break down or get sick!  There were some shaky moments but music and friends/professors understood and supported me so much.  I’m so bad with pressure at times.

The Museum in the Night Festival

Charlie Lim at The Night Festival

I only have a good feeling today. Oh, and after the show, we all went to Blu Jaz Cafe to check out Bani & Regi’s Hendrix tribute feat. Wei Xiang and Aaron Lee! It was soooo loud and rockin’ it blew few things away, especially the stress :) I played with this band quite few times, but this time it was so great to enjoy it. Thanks for the great music!

Bani & Regi's Hendrix Tribute!

Believe it or not, I have to do my homework for tomorrow’s class now, but I think I can handle it.  It’s a fun homework though a lot of thinking and arranging… but it’s all for great music :)

From tomorrow, I’m back to a normal student with occasional gigs but not too much.

 

I thank all of you who are reading.

 

Have a great Sunday!

 

 

More live updates here :  https://www.facebook.com/ayasekineofficial

Fun night out after long long time…

Good morning guys.
Yesterday was a full-on day for me… Just to share what Aya Sekine did all day.

Day time was spent at/around home opening my own apartment for what I call ‘Thrift Shop Pop-Up’ – basically I was selling my used clothes to people. I’ve been doing it for the whole last week and yesterday was the final. I think I did alright. This was my way of making a living this month and also I really wanted to make space in my wardrobe…

20130811-103916.jpg

Anyway through opening shop I had some nice catch up with friends and learned valuable lesson about what people want to buy. I am lucky to have quite a variety in my selection so lots of people had fun choosing it seems.

After serving my ‘customers’ I basically had to blank out – it is a lot of work and you cannot be pushy nor unhelpful. You need to be there but you have to let people do their thing you know… And once in a while you need to advice them so they feel excited to buy the particular piece. I have pretty good ethics now. I shall do it again in few months.

After brief ‘losing myself from consciousness’ I had to get ready to go play a gig. I used taxi for a change – these days I save well, use only buses & trains but I was too tired and was dressed up.  I’ve arrived at OCF, a fine dining restaurant at The Artshouse.  It was a duo gig with one of the best vocalist I know personally, wonderful Mr.Richard Jackson. There were not many people but we had a great musical catch up and during break time we talked more.
We have an interesting collaboration coming up at The Night Festival with DJ Ko Flow at the end of the month and I will have to let you all know the detail soon.

And we proceeded to Raffles Hotel to catch our friends performing…
Jeremy Monteiro Organ Trio feat. Andrew Lim (guitar) Tama Goh(drums) and Jeremy invites Richard to sing of course :)

20130811-104942.jpg

There were also guitarist Rick Smith jamming, and many other musician friends of ours hanging out there.  It’s a beautiful new addition to Raffles arcade,  Halia Restaurant whose original branch is located at the Botanical Gardens, they also have jazz once a month over there. This particular one at Raffles seem to be doing well on Saturdays with Jeremy’s trio! Not just being great Jazz pianist/organist, Jeremy is really great at finding places and opening them up for Jazz even temporarily. It really revitalizes venue and music lovers you know? Thanks to the owners for supporting the music!

Main reason I had to make it is because it is Andrew’s last night in Singapore. He is unarguably the best Singaporean Jazz guitarist with soul, and he’s been living in NY last couple of years… Of course we hung out a lot when I visited the city in June this year :) Very good friend indeed.

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This is Wen Ming sitting in on drums, Chok Kerong on organ with Andrew at the end of the set.  This is a really swinging trio and we are all friends for a long time…but the hang out with this bunch was way over due.  So I wanted to make sure it happens this time before Andrew heads back.

And as I have already implanted the idea earlier, we proceeded to do the ‘last supper’ for Andrew.

20130811-110746.jpg

I couldn’t take good photos but lovely vocalist Alemay Fernandez and youngest Jazz bassist in town Ben Poh joined the feast. We went to our usual spot and stayed there talking nonsense until 4am…Lots of unhealthy tasty food and lots of beers. I can’t handle alcohol so much but it was great to be out and hanging after long time like this.

It is like a primary school students diary, but I wanted to do it for a change.

I am so tired today but I really needed that hang. Now I’m ready to hermit down myself again…out of joy!
Tonight is the big rehearsal for Fusionazz Project that happens next Saturday at Blu Jaz Cafe. Let’s see if I remember any of our repertoire…

AUGUST 2013 SCHEDULE

AUGUST 2013 SCHEDULE
Hi everyone! Here is my schedule for August. Sorry for the delay, as usual!

I don’t play at Blu Jaz Cafe every weekends anymore, but I’m at Orgo (Esplanade rooftop) every Wednesday 8:30-11pm, so do come by for a drink! There is a fantastic view of the waterfront.

 

August 4(Sun) 6:30-10:30pm
Bon Goût Music / Mugic Soundsystem / The Spiffy Dapper presents :
“SOFT FOCUS#61″ feat. Smoota (Brooklyn, NYC)
The Spiffy Dapper : 61 Boat Quay (2nd Floor)

 

 

August 6 (Tue) 2:30-5:30pm
Solo piano for afternoon tea
Axis Bar (Mandarin Oriental Hotel 4th Floor)

 

 

August 7(Wed) 8:30-11:00pm
Orgo at Esplanade Rooftop(4th Floor)
w/ Dawn Ho (vocal) Shawn Letts(sax)

 

 

August 14(Wed) 8:30-11:00pm
Orgo at Esplanade Rooftop(4th Floor)
w/ Dawn Ho (vocal) Shawn Letts(sax)

 

 

August 16 (Fri) 9:30-1am
Anne Weerapaass @ Blu Jaz Cafe
Anne Weerapaas (vocal), Sebastian Ho (guitar), Aya Sekine(keys), Brandon Wong(bs), Rizal Sanip(drums)

 

August 17 (Sat) 9:30-1am
Fusionazz Project @ Blu Jaz Cafe
Daniel Wong (tp) Fabian Lim (sax) Sebastian Ho (guitar) Aya Sekine (keys) Brandon Wong(bass) Jimmy Lee (drums)

 

 

August 21(Wed) 8:30-11:00pm
Orgo at Esplanade Rooftop (4th Floor)
w/ Dawn Ho (vocal) Shawn Letts(sax)

 

 

 

August 26 (Mon) 1pm
L.A.B (Listen And Believe) Sus Sessions
SIA Theatre @ LASALLE College Of The Arts

Feat. :
Michaela Therese De Cruz (vocal)
Aya Sekine (keyboards)
Timothy De Cotta (bass/vocal)
Teo Jia Rong (drums)

L.A.B Official Facebook Page : https://www.facebook.com/listenandbelieve

 

August 28 (Wed) 8:30-11:00pm
Orgo at Esplanade Rooftop(4th Floor)
w/ Dawn Ho (vocal) Shawn Letts(sax)

 

 

August 30 & 31
Singapore Night Festival http://brasbasahbugis.sg/nightfestival/index.htm

 with DJ KoFlow (turntables, sampler) Richard Jackson(vocal) Aya Sekine(keys) Casey Subramaniam (bass) Mohammed Noor (drums)

More details TBA

 

April 2013 SCHEDULE

APRIL 2013 SCHEDULE

 
Hi everyone! Here is my schedule for April. Sorry for the delay, as usual!
  

April 2(Tue) 1pm
“The Fold”
Lunchtime Concert with Tim O’Dwyer Ensemble

SIA Theatre, Lasalle College Of the Arts

 

 

April 3 (Wed) 8:30-11pm
Orgo at Esplanade Rooftop(4th Floor)
w/ Dawn Ho (vocal) Shawn Letts(sax)

 

 

April 6 (Sat) 9:30-1am
Ayaschool @ Blu Jaz Cafe
Oliver Von Essen (organ)
Darren Moore (drums)

 

 

April 10 (Wed) 8:30-11pm
Orgo at Esplanade Rooftop(4th Floor)
w/ Dawn Ho (vocal) Shawn Letts(sax)

 

 

April 1 (Thu) 8:30-11pm
3 x 3 | Three Piano Trios
@ Blu Jaz Cafe 3rd Floor
$15

feat.
3 pianists :
Alina Ramirez
Mei Sheum
Aya Sekine

3 bassists :
Tony Makarome
Hiroaki Maekawa
Jonathan Ho

1 drummer *Special guest :
Rodrigo Villanueva

3 x 3 Official Facebook Event : https://www.facebook.com/events/625543894138780/?ref=ts&fref=ts

3 X 3 | Three Piano Trios

3 X 3 | Three Piano Trios

 

April 12 (Fri) 9:30-1am
Ayaschool International Quartet @ Blu Jaz Cafe

Feat. :
Tim O’Dwyer (Australia / alto & baritone saxophones)
Aya Sekine (Japan / keys)
Christy Smith (USA / double bass)
+ Special guest : Rodrigo Villaneuva (Mexico / drums)

 

 

April 13 (Sat) 9:30-1am
L.A.B (Listen And Believe) @ Blu Jaz Cafe

Feat. :
Michaela Therese De Cruz (vocal)
Aya Sekine (keyboards)
Timothy De Cotta (bass/vocal)
Teo Jia Rong (drums)

L.A.B Official Facebook Page : https://www.facebook.com/listenandbelieve

 

 

April 14 (Sun) 7-10pm
1Altitude
w/Beverly Morata (vocal) Rob Collins(vo) Colin Yong (bass)

 

April 17 (Wed) 8:30-11pm
Orgo at Esplanade Rooftop(4th Floor)
w/ Dawn Ho (vocal) Shawn Letts(sax)

 

 

April 17 (Sat) 9:30-1am
Ayaschool @ Blu Jaz Cafe
Anne Weerapaas (vo)
Brandon Wong (bs)
Oswal Gonzalez (drums)

 

 

April 24 (Wed) 9-12:30pm
Kind Of Blu Jam Session @ Blu Jaz Cafe
*Jam Session*
House band :
Eddie Layman (drums)
Christy Smith (bass)

 
 

And I’m off to a mini-vacation to Japan, which includes my recording session ( http://www.ayaschool.com/journal/music-2/442/ ), and after that I will be back for few weeks, and off to big trip to NYC! I’m excited :)
You all have a great weekend. See you tomorrow at Blu Jaz 3rd Floor, ok?

March 15th morning thoughts

‘Refined’ is the word, after listening to Magos Herrera last night.

She displayed her life, passion and love through music and that became ‘artistic presentation’, which I think is one of the biggest ‘job description’ of any artist.

Her craft was well maintained and gave me comfort and joy to listen to. She stretched her voice with love, so she can simply express herself completely. What an amazing vocalist! I was completely mesmerized. She was music herself.

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Esperanza too gave almost a shock to me how amazing she could sing like… THAT! Another level of artistry.

These are the people who are making music for life, life for music. I was so inspired. For me it was greatest source of inspiration to practice basics and sound of instrument, on top of pure joy to listen and enjoy! They expressed themselves totally differently but both in complete control, solid delivery :)

Not to mention her great band- Alex Kautz, wow, what an amazing drummer! Dynamic and sensitive. Also wonderfully refined sound with great discipline while supporting…! Our brother Christy Smith kept it steady but his flexibility complimented Magos vocal so well! His listening ability and the spontaneous reaction based in Jazz tradition and roots is so valuable especially here in Asia…a treasure bassist. And Kerong Chok was so fantastic in all his elements! What a beautiful pianist. What I love about Kerong is he paints his own picture. The boy hears beautiful music and he delivers.

Great ensemble indeed.
I was happy.

Even through that table of 4 whom kept talking so loudly through the whole evening even after 2 requests from Magos for silence and announcement by Christy.

The club is shared by artists and audience. These people clearly violated others who were all paying. I was offended and hurt but still, had to keep it calm. Other listeners and Magos band remained centered as well. At a music centered venue why would you prioritize your conversation?! Why did you pay to come in?! These type of nuisance got to be controlled. If it was my club, I would ask them to leave even if they paid and bought loads of expensive drinks.